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GUITAR REVIEW VOLUME II
Issues #7 through #12
GUITAR REVIEW NO. 7 (1948)
A Tribute to Manuel M. Ponce
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Cover by Bobri
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Contents of Guitar Review No. 7
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Editor's Corner (Rose L. Augustine)
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Manuel M. Ponce: Sketches from Heart and Memory by Andrés Segovia
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Manuel Maria Ponce by Carlos Raygada
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Historical Evaluation of Manuel M. Ponce by Carlos Chávez
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Ponce, Lover of Mexican Folklore by Olga Coelho
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Impressions of Manuel Ponce by Carleton Sprague Smith
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Reminiscences of Manuel M. Ponce by Jesús Silva
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Nostalgic Recollections of Ponce by Heitor Villa-Lobos
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A Letter Concerning Manuel Ponce by Marc Pincherle
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A List of the Compositions of Manuel M. Ponce by Pablo Castellanos and Jesús Silva
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The Guitar and Myself-Madrid (Autobiography-Part Three) by Andrés Segovia
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Manuel M. Ponce: Notas y Recuerdas (Spanish Supplement) by Andrés Segovia
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La Guitarra y Yo-Madrid (Spanish Supplement) by Andrés Segovia
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A Note on the Preludios of Manuel M. Ponce by Jesús Silva
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The Chronicle: 1948 by Gregory d'Alessio
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A Letter to Andrés Segovia by Carl Sandburg
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Who's Who among our Contributors
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To the Memory of Manuel M. Ponce
Music:
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A Modo de Sarabanda by Jesús Estrada
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Two Preludes (Nos. 2-3) (from Seis Preludios Cortos) by Manuel M. Ponce
GUITAR REVIEW No. 8 (1949)
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Cover by Salvador Dalí
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Contents of Guitar Review No. 8
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The Editor's Corner (Paul Carlton)
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The Guitar and Myself-Madrid (Autobiography-Part Four) by Andrés Segovia
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La Guitarra y Yo-Madrid (Spanish Supplement) by Andrés Segovia
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The Guitar: Notes on its History by Luis Elorriaga
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Editor's Notes
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The Question of Good Taste by Terry Usher
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Spanish Guitar or Violão? by Ronoel Simões
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"La Guitaromanie": Lithographs published in works by Charles de Marescot, Paris, ca. 1843 by Paul Carlton
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The Academy: Questions and Answers by Vicente Espinel
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Who's Who among our Contributors
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The Chronicle: l948-1949 by Gregory d'Alessio
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Music in this Issue
Music:
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Epitaph for Manuel M. Ponce (part I) by Terry Usher
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Epitaph for Manuel M. Ponce (part 2) by John W. Duarte
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Two Preludes from Seis Preludios Cortos by Manuel M.Ponce
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Lesson No. 12 by Andrés Segovia
GUITAR REVIEW No. 9 (1949)
Special Lute Issue
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Cover by George Giusti
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Contents of Guitar Review No. 9
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The Editor's Corner (Carleton Sprague Smith, Suzanne Bloch)
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Notes on Archlutes by Emanuel Winternitz
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The Museum: Instruments from the Collection of Musical Instruments in the Metropolitan Museum of Art by Emanuel Winternitz
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The Decline of the Lute by Sydney Beck
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John Dowland by Alfred J. Swan
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Temperament Silhouette: Suzanne Bloch and the Lute by Puzant K. Thomajan
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Lute Music, its Notation & Technical Problems in Relation to the Guitar by Suzanne Bloch
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Luys Milán the Vihuelista by Leo Schrade
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Francesco da Milano by Joel Newman
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An Early Duet for Recorder and Lute by Charles Warren Fox
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The Lute in 16th-Century Spain by John Ward
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An Elizabethan Self-Instructor for the Lute by Charles W. Hughes
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Religious Music and the Lute by Carleton Sprague Smith
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Who's Who among our Contributors
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A Letter by Andrés Segovia
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Una carta (Spanish Supplement) by Andrés Segovia
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Luys Milan, El Vihuelista (Spanish Supplement) by Leo Schrade
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Luys Milan, El Vihuelista (Spanish Supplement) by Leo Schrade
Music:
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Sarabande from Suite No. 7 (in tablature) by Silvius L. Weiss
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Sarabande for Guitar by Vicente Espinel
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Variations on the Champagnerlied from Mozart's Don Giovanni (excerpt in tablature) by C. G. Scheidler
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Fantasia by Francesco da Milano
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Le Rossignol Duet from Jane Pickering's Lute Book (1616)
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Branle by Joannes Baptista Besardus
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Een Vrolic Wesen (for guitar and recorder) by Jacobus Barbireau
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Bockington's Pound by Fr. C.(Francis Cutting)
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Psalm 39 (for voice and guitar) by Richard Allisan
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Psalm 12 by Nicholas Vallet
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In Pilgrim Life our Rest (for voice, orpharion and lute) by Robert Taylor
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Psalm 192 by Jan Sweling
GUITAR REVIEW No. 10 (1949)
Argentine Issue
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Cover by Guitar Review artists
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Contents of Guitar Review No. 10
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The Editor's Corner (Eithne Golden)
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The Classical Guitar in Early Buenos Aires by Carlos Vega
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Breve Historia de la Guitarra en la Republica Argentina (Spanish Supplement) by Segundo N. Contreras
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The Guitar and Myself (Autobiography-Part Five) by Andrés Segovia
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La Guitarra y Yo (Spanish Supplement) by Andrés Segovia
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The Academy: Manual Dexterity by Terry Usher
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Who's Who Among our Contributors
Music:
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Valse No. 1 by Juan Pedro Esnaola
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Valse No. 2 by Juan Pedro Esnaola
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Estilo by Justo T. Morales
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Triste by Maria Luisa Anido
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Pala-Pala (Cuervo) (from Tres Estudios) by Adolfo V. Luna
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Malambo (from Tres Estudios) by Adolfo V. Luna
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Invocación by Eduardo D. Bensadón
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Preludio by A. Galluzzo
GUITAR REVIEW No. 11 (1950)
Portrait Issue
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Cover: Portrait of Fernando Sor
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Guitar Review No. 11: The Portrait Issue-An Introduction by Terry Usher
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Certificate of Excellence awarded The Guitar Review
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The Guitar World: Guitar Societies Around the World (map) by Ries de Hilstel
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The Guitar World: Guitar Societies Around the World (map) by Ries de Hilstel
Portraits
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Mauro Giuliani; Matteo Carcassi; Dionisio Aguado; Fernando Carulli; Giulio Regondi
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Julián Arcas; Francisco Tárrega; Tárrega playing for his friends
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Andrés Segovia
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Albert Augustine and Andrés Segovia
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Fidel Zabal. Frederic Daunic and Vladimir Bobri rehearsing; Andrés Segovia; Miguel Llobet and Andrés Segovia with members of Munich Guitar Society (1915)
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Andrés Segovia and Vladimir Bobri; Andrés Segovia; Segovia during a concert in Mexico City
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Andrés Segovia with Conductor Thomas Scherman; Rose Augustine; Andrés Segovia, Olga Coelho and Gaspar Coelho
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Andrés Segovia, Conductor Fritz Kleiber and Manuel Ponce; Olga Coelho; Society of the Classic Guitar celebrates New Year 1950
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Terry Usher; Jean Françaix; Manuel Ponce; Federico Moreno-Torroba; Miclos Rozsa; Heitor Villa-Lobos; Alexandre Tansman; Alfred Uhl
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Mario Castelnuovo-Tedesco; Andrés Segovia and Manuel de Falla; Jack Duarte; Camargo Guarnieri; Joaquín Rodrigo
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James Goodner, Fidel Zabal, Chauncey Lee, Andrés Segovia, Alexander Bellow and Gregory d'Alessio; SCG guitar ensemble 1950: Conductor Alexander Bellow and flutist Fernando Martiner with Fidel Zabal, John Richter, John Denaro, Eithne Golden, Irmgard Carlé, James Goodner, V. Bobri, Dorothy Perrenoud, Mirka Markovich and Chauncey Lee; Darothy Perrenoud and V. Bobri; Eithne Golden; Alexander Bellow and SCG guitar ensemble
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Julie André; the 1950 Executive Board of the SCG: Estelle Zabriskie, Saul Marantz, V. Bobri. Andrés Segovia, Karl Noell, Gregory d'Alessio, Vladimir Gabaeff; The 1950 Editorial Board of The Guitar Review: V. Bobri, Eithne Golden, James Goodner, Antonio Petruccelli, George Giusti, Sidney Beck, Karl Noell, Chauncey Lee, Saul Marantz, Gregory d'Alessio; Grisha Dotzenko; Gregory d'Alessio, Eithne Golden, Andrés Segovia, V. Bobri and Mirko Markovich
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Suzanne Bloch; Vicente Gomez; Nemone Balfour
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Vicente Gomez in the film Crisis; Edith Allaire; Dr. Emanuel Winternitz; Richard S. Pick
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Vahdah Olcott Bickford; Carleton Sprague Smith; William Foden; Luis Elorriaga; Rey de la Torre
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Theodorus Hofmeester, Jr.; Dorothy Perrenoud; Carl Sandburg
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The Guitar Guild, Providence, R.I., 1950; Hibbard A. Perry; The Guitar Club of Santa Fe, New Mexico; Sophocles Papas; The Washington Guitar Society
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The American Guitar Society, Hollywood. California; The Chicago Classic Guitar Society; The Bay Area Classic Guitar Society of San Francisco, CA.; Vicente Tatay; Irving Long; Henry Schilling; Juan Martínez
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Julian Bream; Victoria Kingsley; Maurice Ashurst; Catherina Josepha Pelzer (Madame Sidney Pratten):
Manchester Branch of the London Philharmonic Society of Guitarists (Jack Duarte & Terry Usher in this photo-among others).
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Morton Lawrence; Cheltenham Branch of the L.P.S.G.; Birmingham Branch of the L.P.S.G.; Reginald S. Brindle-Borsi; Wilfrid Appleby; Dr. Boris A. Perott
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Ida Presti; Marcel Nobla; Jean Lafon; Les Amis de la Guitare, Paris. 1948; André Verdier
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Paul Brunold, B. Varma and André Verdier holding three historic guitars in the Museum of the Paris Conservatory; Robert Bouchet; Jacques Tessarech; Ida Presti in the film La Petite Chose; July 1936 dedication of plaque to Fernando Sor, present: André Verdier, Emilio Pujol, Matilde Cuervas, Ida Presti, Madeleine Cottin, Camille Eynard. Mme. Ludot, Mme. Cybenko and Leonardi Salvator
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Jakob Ortner; Emil Winkler; Board of Directors of the Austrian Guitar Society; Fritz Buek; Ferdinand Rebay; Otto Schindler; Heinrich Albert
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Franz Bumaier; Gertha Hammerschmied; Luise Walker; Hans Schlagradl; Dr. Phil. Oswald Ortner; Hermann Hauser Sr.; Karl Scheit
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Regino Sainz de la Maza; Matilde Cuervas; Francisco Alfonso; Emilio Pujol and Miguel Llobet among friends; Daniel Fortea
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Emilio Pujol; Luis Sanchez Granada; Ramón Montoya; Carlos Montoya; Miguel Llobet (several).
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Luigi Mozzani; Giovanni Murtula; Leonida Squarzoni; Sara Stegani; Maria Rita Brondi; Mario Gangi; Giuseppi Farranto; Benvenuto Terzi; Pietro Volpini.
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Giovanni Rexeis; Elena Padovani; Carlo Palladino; Rómolo Ferrari; Gabriel d'Annunzio.
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Adolfo V. Luna; Jesús Silva; Eduardo D. Bensadón; Guillermo Gomez; Ronoel Simões; Maria Livia São Marcos; Isaías Sávio; Julio Martínez Oyanguren
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Maria Luisa Anido; Amaro Siqueira; Jorge G. Crespo; Martin Gil; Carlos Vega; Segundo Contreras; Abel Carlevaro
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Beirut Guitar Society; Wedding of a guitarist in Ceylon; São Paulo Associação Cultural de Violão; Tomsk (Siberia) Guitar Society, c. 1925; Executive Board of Mexico City Sociedad de Amigos de la Guitarra; Hollywood Guitar Society; Centro Guitarristico de Uruguay; Eustace Delay; Robert S. Adams.
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Manuel Velazquez; Founder of London Philharmonic Society of Guitarists; Vidoudez; Guitar Center of Santos, Brazil; Santos Hernandez, Emilio Pujol, Daniel Fortea and others; Society of the Classic Guitar of Sydney, Australia; Ricardo Muñoz; Yolanda Davis; J. P. Vassallo; The Holland Guitar Society, 1949
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Moscow Branch of International Association of Guitarists about 1900; Thornhill J. Nicholas; Ries de Hilster; Len Williams; V. Mazmanian; Ivan Putilin; Miguel Ablóniz; N. H. Chapman; John Martin; Agustín Barrios
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W. Morris; Bertram Atkins; Jewad Selim; Frans De Groodt; Jurie Ryss; Derek T. Wright; V. Svarog; Alex Chr. Mavrantonis; Rifat Esenbel
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Maria Luisa Anido and Miguel Llobet
Music
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Chanson, op. 14 (for two guitars) J. W. Duarte
Article
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Two Guitars are Better than One by Terry Usher and John W. Duarte
GUITAR REVIEW No. 12 (1951)
The Guitar with Voice
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Cover: Metamorphosis of a Minstrel into Moon
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Contents of Guitar Review No. 12
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Introducing New Contributors
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The Guitar-Some definitions as felt by Carl Sandburg
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Music, Minstrelsy, Marais and Miranda by Josef Marais
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Songs with Guitar Victoria Kingsley
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The Museum: Five Instruments from the Metropolitan Museum of Art, New York
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Song and Guitar in Britain by Wilfrid M. Appleby
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Confession by Carl Sandburg
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The Academy: Segovia on Scales by Andrés Segovia;
Varnish by J.W. Duarte
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The "Why" of It
Music: Songs with Guitar
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Covarde Cavallero by Vasquez-Fuenllana
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Janneton by Gabriel Bataille
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Renee by Gabriel Bataille
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Lady, If You So Spite Me by John Dowland
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Bist Du Bei Mir by J. S. Bach
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What If I Never Speed by John Dowland
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There Lives a Lass Upon the Green arr. by Nemone Balfour
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Heiden Roslein by Franz Schubert
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O Rei Mandou Me Chamá arr. by Olga Coelho
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Trois Romances (no. 3) by Mauro Giuliani
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A Cradle Song by John W. Duarte
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Ariette by Fernando Sor
Music: Guitar Solos
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Prelude No. 1. op. l
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Neblina by Andrés Segovia
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Ponteio by Camargo Guarnieri
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Prelude No. 8 (from the Well-Tempered Clavichord) by Johann Sebastian Bach
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