|
GUITAR REVIEW VOLUME III
Issues #13 through #18
GUITAR REVIEW NO. 13 (1952)
•
Cover by Julio de Diego
•
Contents of Guitar Review No.13
•
Notes on Guitar Music: Methods and Tutors; New Solos and Lists by Wilfrid M. Appleby
•
Frontispiece: Virtus Unita by Bellerofonte Castaldi
•
The Guitar and Myself (Autobiography-Part Six) by Andrés Segovia
•
La Guitarra y Yo (Spanish Supplement) by Andrés Segovia
•
On Francisco Goya's "Aveugle enlevé sur les cornes d'un taureau" by Edward Fenton
•
The Academy: Music and the Guitar (Part One) by Jack Duarte
•
An Important Event
Music:
•
Prelude No. 2 (Duet) from Six Short Preludes by Johann Sebastian Bach
•
Three Lessons by Dionisio Aguado
•
Prelude No. 2, op. 103 by Anton Diabelli
•
Trois Romances (No. 1) by Mauro Giuliani
•
Preludio by Andrés Segovia
•
Little Studies by Ferdinand Rebay
•
Love Song by Ferdinand Rebay
•
Il Serchio (excerpt) by R. S. Brindle-Borsi
GUITAR REVIEW No. 14 (1952)
•
Cover by Antonio Petruccelli
•
Contents of Guitar Review No. 14
•
Editor's Corner (Gregory d'Alessio)
•
Introducing: Albert Harris and Jack Marshall
•
Goya and the Guitar by Edward Fenton
•
The Academy: Music and the Guitar (Part Two) by Jack Duarte
•
If Music Be the Food of Love... by Suzanne Bloch
•
Francisco Eixea Tárrega Drawing by Grisha
Music:
•
Heartes Ease from lute tablature at the Cambridge Library
•
Fortune My Foe from Wm. Barley's Lute Book
•
Greensleeves Francis Cutting
•
Sonatina for Flute and Guitar, op. 15 by John W. Duarte
•
Estudio en Arpeggio by Dionisio Aguado
•
Intermezzo by Albert Harris
•
Sonatina by Jack Marshall
GUITAR REVIEW No. 15 (1953)
•
Cover by George Giusti
•
La Guitarra (poem in the original Spanish, with English translation) by Federico García Lorca
•
Contents of Guitar Review No. 15
•
Editor's Corner
•
Chaucer's "Floyte:" The Revival of the Recorder in America by Alfred Frankenstein
•
The Academy: Music and the Guitar (Part Three) by Jack Duarte
•
The Academy: The Elements of Technical Proficiency by Terry Usher
•
A Remarkable Elizabethan Lute Manuscript in the British Museum by Suzanne Bloch
Music:
•
Drewries Accordes, Duet from Jane Pickering's LuteBook (l616)
•
Pavana by Luis Milan
•
Semi-Dolens (Duet) by John Dowland
•
Welscher Tanz (for guitar and recorder) by Hans Neusiedler
•
Der Hupff auff (for guitar and recorder), anonymous
•
Branle (for guitar and recorder) by Adrien le Roy
•
Courant (for two guitars), from French Harpsichord Suite by Johann Sebastian Bach
•
Minuet (for two guitars), from French Harpsichord Suite by Johann Sebastian Bach
•
Scala Obliqua & Contraria per Chitarra by Nicoló Paganini
•
Toccata by Johann Sebastian Bach
•
Two Studies by Napoleón Coste
•
Cordão de Prata (for two guitars and flute or recorder) by Brasilio Itiberê
•
Estudio by Regino Sainz de la Maza
•
Preludio para los Principiantes by Regino Sainz de la Maza
GUITAR REVIEW No. 16 (1954)
•
Cover: Sculpture-designed by Bobri, executed by Grisha, photographed by Sharland
•
Contents of Guitar Review No. 16
•
In Memoriam-Hermann Hauser by Andrés Segovia
•
Hermann Hauser Lithograph by Grisha
•
Guitars in Chamber Ensembles by LaNoue Davenport
•
The "Supported" Stroke by Emilio Pujol
•
Jean Antoine Watteau by Edward Fenton
•
Torres, the Creator of the Modern Guitar by Theodorus M. Hofmeester, Jr.
•
The Academy: Music and the Guitar (Part Four) by Jack Duarte
•
The Academy: Tone and Tonal Variety by Terry Usher
Music:
•
E de Noite, Faz Escuro (for voice and guitar) arr. by Emilio Pujol
•
Minuetto by Carlos de Seixas
•
Trio (for two recorders and guitar) by Salomone Rossi
•
Brazilliance (for three guitars) Laurindo Almeida
•
El Vito (for voice and guitar) arr. by Matilde Cuervas
•
Expectatio Justorum (for recorder and guitar) by Orlando di Lasso
•
Romance, op. 62. no. 1 (for two guitars) Felix Mendelssohn
•
Olinda (for two guitars and recorder) by Henry Purcell
GUITAR REVIEW No. 17 (1955)
•
Cover: The Cuckoo by Julio de Diego
•
Contents of Guitar Review No. 17
•
Editorial Comments
•
Addenda to Torres, the Creator of the Modern Guitar by Theodorus M. Hofmeester, Jr.
•
In Memoriam-Theodorus M. Hofmeester, Jr. (The Editors)
•
Introducing: Albert Valdes Blain and Carl S. Miller
•
Esaias Reusner
•
Guitar Strings Before and After Albert Augustine by Andrés Segovia
•
The Academy: Music and the Guitar (Part Five) by Jack Duarte
•
The Academy: Humor Your Guitar by Terry Usher
•
A Brief Note on Joan Maria de Medicis by Erich Katz
•
The Guitar, the Teacher and the Beginner by Albert Valdes Blain
•
Simple Preludes by Jack Duarte
Music
•
Allemanda (in tablature) by Esaias Reusner
•
Es ist gewisslich an der Zeit (tablature) by Esaias Reusner
•
Hertrlich thut mich verlangen by Esaias Reusner
•
Suite No. 2 by Esaias Reusner
•
Minueto, anonymous
•
Alborada de Fiesta en la Aldea by Emilio Pujol
•
Allegretto by G. F. Handel
•
Minuetto by A. Corelli
•
XVI Century Lute Piece (anon.)
•
Campanae Parisienses by Jean Baptist Besarde
•
Minuet by Robert de Visée
•
Aria by Alessandro Scarlatti
•
Preambulum (for recorder and guitar) by Joan Maria de Medicis
•
Two French Corantos (for recorder and guitar) by William Byrd
•
The Cuckoo (for voice and guitar), folksong arr. by Sarah S. Cecil
•
Simple Preludes: No. 1 Jack Duarte
•
Air on a Ground Bass by Henry Purcell
•
Minuet by Henry Purcell
GUITAR REVIEW No. 18 (1955)
•
Cover: Illustration from F. Molino, Guitar Method, c. 1800-20
•
Contents of Guitar Review No. 18
•
Editorial Comments
•
Mauro Giuliani (portrait)
Facsimile Reproductions from Giulianiad, Vol I (1833)
•
Cover
•
Stanzas To My Guitar
•
Giuliani The Editors of the Giulianiad
•
Sor (Letter to the Editor)
•
Foreign Guitar Makers and English Music Sellers
•
Musical Intelligence, Chit-Chat, & c.
•
Introduction and Thema (music) by Mauro Giuliani
•
Solfeggi for Voice and Guitar
Articles
•
Mauro Giuliani by Philip J. Bone
•
The Giulianiad by J. A. Burtnieks
•
The Indispensable Amateur by Jacques Barzun
•
The Academy: Scale Playing by Terry Usher
•
Fernando Sor by J. A. Burtnieks
Music
•
Prelude (from Six Preludes. op. 49) by Napoleón Coste
•
Down the Volga River arr. by V. Morkav
•
Étude (excerpt) by Fernando Sor
•
Russian Folk Song, arr. by M. Glinka
•
Night, oh Night (for recorder or guitar with guitar accompaniment), harm. by M. Glinka
•
Ballet by Geo. Leopold Fuhrmann
•
Sarabande by A. Corelli
•
Grown-Up (for voice and guitar), by Jack Duarte
•
Canaries (duet) by Jean Baptiste Lully
•
Aria, Nina (duet) by Giavanni Battista Pergolesi
•
Sarabanda (duet) by Nilo P. Bert
•
Impromptu by Jack Duarte
|
|
